This guy is wearing a variation on a traditional Korean hat. I’m fascinated by these things because they seem like they’re the complete opposite of functional.

I’ve included the roughs, so you can see the green/red process I use. Green for blocking and roughs and red for refining shapes a bit more. All other details are added in the inking stage.

I’m down to the last twenty or thirty pages of the Ojingogo book. It’s hard to say exactly how much, because new ideas keep popping up and I follow them wherever they go. Sometimes I feel like I could be done in a month, other times it feels like it could be a year.