The US Poet Laureate
The West Wing takes up a lot of my time these days. I watch, on average, five episodes per week. It entertains me. Diverts. Amuses. I find the characters intelligent, funny, and extremely likeable and that’s why I watch it.
Unfortunately (or not, however you look at it), the success of most of shows’ stories rely on several over-arching, very dangerous, very American, fallacies. Here is the deeply flawed logic as I see it:
i) People who hold a degree from ivy league universities are intelligent.
ii) People who work in the White House went to ivy league universities.
iii) People in the White House are intelligent.
Until last night, I was able to overlook this problem in order to suspend my disbelief and enjoy the show. Last night I watched an episode called The US Poet Laureate (S3E16) in which an American poet (Laura Dern) lobbies the president to agree to an international land-mine treaty. It wasn’t the landmines that concerned me. Like most issues the show deals with, it was washed over in an effort to fit between commercial breaks. I was annoyed by the way Sorkin used this story to preach about the role of the artist in society. When the poet voices valid objections to the use of land-mines, Toby responds by saying (I paraphrase), “Look, this isn’t kid’s stuff! No one cares what you think. You’re a poet.” Later in the episode, Dern’s character has a break-down and concedes to Toby. The artist says:
“You think that I think that an artist’s job is to speak the truth. An artist’s job is to captivate you for however long as we’ve asked for your attention. If we stumble into truth, we got lucky, and I don’t get to decide what truth is. . . . I write poetry, Toby. That’s how I enter the world.”
Let see that again: An artist’s job is to captivate you for however long as we’ve asked for your attention. That’s the response I’d expect from Ricky Martin, not a Nobel Prize winning poet. I may not know what the truth is, but I do know there’s more of it in a single page of Madame Bovary than all the State of the Union addresses combined.
Contrary to what Sorkin is implying, White House Communication Directors do not have a monopoly on the truth. In fact, their job has always been to distort, if not rape, the truth at every given opportunity. Would Sorkin have Americans (artists or otherwise) leave decisions of global importance to ivy league-educated bureaucrats in the White House? In any functional democracy, speaking the truth is the responsibility not only of policitians - but equally of poets and plumbers.
In Orwell’s essay, “Politics and the English Language,” he writes, “Political language is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.” Poets are not out of bounds to challenge the White House on serious issues. But teleplay writers are way out of bounds to suggest they shouldn’t.



Comments (28 comments)
that’s one very good reason why i can’t stand that show and have only watched one or two episodes. i live in NYC. i see enough BS everyday, so do i have to see more when i watch some TV? i know that many people (my fiance included) will tell me that all TV is BS, but i disagree. when your supply of “west wing” runs out try watching “law & order” (my personal favorite). now that’s a show that’ll keep you thinking about the US judicial system! (or “six feet under” my personal fave)
gleek / May 1st, 2004, 12:55 am / #
I think you should send this review to Mr. Sorkin too.
xox / May 6th, 2004, 2:51 am / #
thanks, mom. i’m glad someone is taking my outrage seriously.
i’m in it for the long haul. i’ll quit when i’m finished with season four. nearly there.
as for law & order, i was subjected to non-stop L&O action by some former room-mates. i’m afraid i’ve had my fill.
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